JP6K is a synth dedicated to emulating the famous Super Saw sound, first found in the Roland JP-8000 synthesizer in 1997. It aims to capture the essence of the sound and the behaviour of the original oscillator. Even after a decade, the Super Saw is still sought after by people all around the world, and is a crucial part of such music genres like Trance.
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Adam Szabo has released version of the JP6K synthesizer instrument The plugin is available for Windows in 32/bit VST formats. Magesy® PRO, Download Plugins VST, VST2, VST3, VSTi, Samples, JP6K is a synth dedicated to emulating the famous Super Saw sound.
There are several factors that make the Super Saw in the JP6K different than other synths that provide a similar sound. The original Super Saw from Roland was aliasing, thus creating a bright and “airy” sound. To prevent the sound from sounding harsh below the fundamental harmonic, a high pass filter was possibly used to remove the unwanted frequencies. The JP6K uses the same design to achieve that special oscillator waveform giving it a unique tone.
Viper by Adam Szabo (@KVRAudio Product Listing): Viper aims to deliver the sound characteristics of legendary hardware synthesizers in a virtual format. We can call Viper a Virtual Performance synth, with a vast array of features like: multiple oscillator types with user waveforms, Sync, Frequency Modulation, Ring Modulation, unison up to 8 voices, filter. Get JP6K by Adam Szabo and learn how to use the plugin with Ableton Live, Logic, GarageBand, and FL Studio for free. Discover the top software available for purchase on Splice. Free PluginsView All. Browse the most popular free VST and AU plugins. CompressorsView All.
Another important aspect of the classic Super Saw, was its special detune curve. It was non-linear, which gave the user greater control over the detune amount. Even when the detune control was half way, the spread of the detune was small, which made it possible to make very smooth sounding pads. The curve then gradually increased, and at higher values, the detune rapidly spread out to maximum. This unique curve is accurately modelled in JP6K, making it nearly identical to the detune in the hardware.
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The JP6K also emulates other features from the JP-8000 like the filters, key tracking and the EQ, to give it an even more authentic way to shape the Super Saw sound. The synth has been optimised to use minimal amount of CPU, so it is possible to use multiple instances.
- 32 voice polyphony.
- Two Super Saw oscillators, an upper and lower.
- 1 noise oscillator.
- Three filter modes: low pass, band pass and high pass with -12 & -24 dB/Oct.
- Three independent LFOs controlling the filter, amp and pitch.
- Built in delay and EQ.